This workshop forms part of a new series of events, Sonic Acts Practicum, focused on informal education and sharing knowledge between artists and researchers.Ībout Sam Lavigne Sam Lavigne is an artist and educator who plugs into the interlocking interfaces of data, surveillance and policing, as well as natural language processing and automation. Sign up via Homerun by 25 May to join the workshop and receive ticket options by e-mail.
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Practical details & how to sign up Date: Thursday 9 June 2022
In this way, the supercut becomes a subversive tool, drawing critical attention to how large scale polluters justify, excuse and obscure environmental harm. Together, participants will interrogate the YouTube channels of corporate polluters like Shell oil and gas to create their own supercut videos. The workshop will treat video as a textual as well as a visual medium, and focus on repurposing found footage to generate new compositions and narratives. Led by artist Sam Lavigne, attendees will use Python in conjunction with basic command line tools to explore the possibilities of manipulating video with code. Examples from the height of the genre's popularity veer from a series of Arnold Schwarzenegger's screams to Bill Gates saying “uh” a lot, to an experimental clip in which all of the words were removed from George W.
While often humouristic, pointing out ridiculous, overused phrases, the videos are also adept at cultural and even political commentary. The catch-all term, initially coined by writer and net-culture commentator Andy Baio, describes the fast-moving, detail-obsessed videos that isolate a recurring pop-culture trope, iconic idiom or idiosyncrasy. Emerging in the early 2000s, "The Supercut" is a genre of video editing made out of a montage of short clips with a common theme.
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